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Master of the Saint Ursula Legend

Flemish Northern Renaissance Painter, active 1475-1500

Pintura Identificación::  51042
Virgin and Child with an Angel
1480-1500 Oil on oak panel, 36 x 27 cm
Flemish Northern Renaissance Painter, active 1475-1500

   
 

 

 
   
      

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Master of the Saint Ursula Legend

Flemish Northern Renaissance Painter, active 1475-1500

Pintura Identificación::  85822
Virgin and Child with an Angel
Date between 1480(1480) and 1500(1500) Medium Oil on oak panel Dimensions Height: 36 cm (14.2 in). Width: 27 cm (10.6 in). cjr
Flemish Northern Renaissance Painter, active 1475-1500

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Pintura Identificación::  87015
Virgin and Child with an Angel
Date first half of 16th century Medium Oil on wood cjr
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Pintura Identificación::  87017
Virgin and Child with an Angel
Date first half of 16th century Medium Oil on wood cjr
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

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Master of the Legend of St. Lucy

(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.

Pintura Identificación::  90006
Virgin and Child with an Angel
between 1480(1480) and 1500(1500) Medium oil on oak panel cyf
(fl. 1480-1510) was an unidentified Early Netherlandish painter who worked in Bruges, now a city in Belgium. His name comes from for an altarpiece in the church of Saint James in Bruges, which is dated 1480 and depicts three scenes from the life of Saint Lucy. Since then, twenty-five to thirty-five paintings have been attributed to the same hand. He may have trained Spanish students at his studio in Bruges. Many of them are characterized by views of the city of Bruges in the background, and can be dated according to the level of construction of its belfry. He may have trained with Dieric Bouts, and was certainly influenced by Bruges' greatest artist at the time, Hans Memling.

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Pintura Identificación::  91737
Virgin and Child with an Angel
first half of 16th century Medium oil on panel cyf
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Pintura Identificación::  91741
Virgin and Child with an Angel
first half of 16th century Medium oil on panel cyf
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

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Correggio

Italian 1489-1534 Correggio Locations

Pintura Identificación::  93793
Virgin and Child with an Angel
between 1522(1522) and 1525(1525) Medium oil on panel Dimensions Height: 69 cm (27.2 in). Width: 57 cm (22.4 in). cjr
Italian 1489-1534 Correggio Locations

   
 

 

 
   
      

Correggio
Italian 1489-1534 Correggio Locations
Virgin and Child with an Angel

        
 
   
 

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